Marilyn Manson - Fundamentally Loathsome - Mechanical Animals (12/14) [HQ]

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Published at : 06 Jan 2021
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Marilyn Manson - Fundamentally Loathsome - Mechanical Animals (12/14) [HQ]

Mechanical Animals è il terzo album in studio della rock band statunitense dei Marilyn Manson. È stato pubblicato il 14 settembre 1998 in Australia e il 15 settembre dello stesso anno negli Stati Uniti, in Germania e in Francia dall'etichetta Nothing/Interscope ed ha rappresentato la breve incursione della band nel mondo del glam rock, in netto contrasto con il ruvido ed abrasivo rock e metal industriale che ha caratterizzato gli album precedenti e che è tornato in quelli successivi del gruppo.
Si tratta di un'opera rock realizzata come concept album e rappresenta il secondo atto della trilogia che include Antichrist Superstar e Holy Wood (In the Shadow of the Valley of Death). Dopo la pubblicazione di Holy Wood, Manson rivelò che la storia raccontata nella trilogia si svolge in ordine anticronologico; pertanto, Holy Wood inizia la storia, Mechanical Animals la continua e Antichrist Superstar la termina.
Mechanical Animals debuttò direttamente al primo posto in classifica nella sua prima settimana di vendita, diventando il primo album dei Marilyn Manson a raggiungere tale risultato. Dall'album sono stati estratti quattro singoli: The Dope Show, Rock Is Dead, I Don't Like the Drugs (But the Drugs Like Me) e Coma White.
In questo album, Manson ricopre due ruoli, diventando un glam rocker assuefatto da sostanze stupefacenti e un alieno androgino chiamato Omēga (pronunciato oh-mii-gah) che, similmente allo Ziggy Stardust di David Bowie, cade sulla Terra, viene catturato, piazzato all'interno di una band chiamata The Mechanical Animals e trasformato in una rockstar. Diventa insensibile nei confronti del mondo, che sia in giro nello spazio o sulle colline di Hollywood, e fa un uso eccessivo di droghe come meccanismo di sopportazione per il fatto che la sua vita sia diventata un prodotto dei suoi capi societari. L'altro ruolo di Manson è quello di Alpha, basato su sé stesso e sulle sue esperienze dopo la conclusione del tour e dell'era Antichrist Superstar. Agendo come Omēga, le emozioni di Alpha hanno solo iniziato a tornare indietro. Vulnerabile e nel tentativo di reimparare ad utilizzare le sue emozioni correttamente, si dispera pensando a quanti pochi sentimenti provano le altre persone, osservandole come se fossero "animali meccanici". Entrambi stanno tentando di tornare nel mondo - cercando tra gli animali meccanici la cosa di cui hanno bisogno per riempirsi. La chiamano Coma White, insicuri del fatto che sia vera o semplicemente un'allucinazione da droghe. A seguito della presenza di questa doppia personalità nella storia dell'album, sette delle quattordici canzoni presenti, sia musicalmente che a livello di testi, sono "interpretate" da Omēga e dalla sua band fittizia The Mechanical Animals, mentre le altre sette sono "interpretate" da Alpha (Marilyn Manson). Le canzoni di Omēga sono solitamente quelle dai testi più nichilisti e superficiali, come The Dope Show, User Friendly o New Model, No. 15. L'artwork dell'album comprende un libretto particolare, in cui una metà contiene i testi dei brani di Omēga e l'altra metà, consultabile capovolgendo il libretto stesso, contiene i testi delle canzoni di Alpha.

Lyrics:

I want to wake up in your white, white sun
I want to wake up in your world with no pain
But I'll just suffer in a hope to die someday
While you are numb all of the way

When I hate it I know I can feel but
When you love it you know it's not real
No
And I am resigned to this wicked fucking world
On its way to hell
The living are dead and
I hope to join them too
I know what to do and I do it well...

When I hate it I know I can feel but
When you're in love you know it's not real
No

Shoot myself to love you
If I loved myself I'd be shooting you

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MarilynMansonFundamentally Loathsome

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